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Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no more have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.

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Kent du Pre Bateau De Papier Jean Humenry has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, however the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities Bateau Pirate En Papier Maché and the other to avoid the complexities of a model achieved solely by folding.

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Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has recently been used and one can make certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in

origin was demonstrated by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and that we are approaching statue rather than Origami.

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Typically the associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end Fabriquer Un Bateau En Papier Maché to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to represent some part of the creature and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a amount of squares of different sizes.

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Within the most extreme mixtures of water and document we are, of course , in the world of fun which is evidently an open-ended art. DecoratingThe most basic step from your single colour is one side coloured and one white or plain. A great package of modern Origami intrusions this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.

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The trimming out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously Origami Box Instructions become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form organic beef use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.